AFTER EFFECTS APPRENTICE
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Twixtor: 30p to 24p in After Effects
Twixtor, from Re:Vision Effects, Inc., has been around for a while. It works with Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro (X and 7), Autodesk combustion, flame, Maya Composite, Avid, Foundry Nuke, Sony Vegas Pro, and several others. It changes speed, timing, and frame rates of footage (frame rate conversion is currently only available with After Effects or Combustion). Twixtor does this by warping and interpolating new frames from the original footage using RE:Vision's proprietary tracking technology to calculate every individual pixel's motion in a sequence.
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NAB Professional Gear: Wacom
For years, Wacom tablets have dominated the professional market; their name synonymous with responsive, accurate results. The new Intuos5 tablet heralds a new definition for what tablets can be. Not only is this pressure sensitive for your designer needs, but it also boasts a touch capability. Now more than ever, you'll find yourself with your Wacom all day long.
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Filming the Fantastic
"Filming the Fantastic" has been recently released in its second edition. The book by Mark Sawicki is not only a "guide", but a personal discussion about the ebbs and flows of visual effects trends, and stories of universal truths.Sawicki's book is a great read for directors, VFX supervisors, post-production teams, artists, and - naturally - those who gather around the eyepiece.
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What's New in Photoshop CS6 Public Beta
When your software goes from being a proper name to a verb, as in "I Photoshopped that building out of the picture", new versions are a big deal. The public beta of Photoshop CS6 Extended is available for download now. What's changed? There are alsover 64 changes PS6 users have asked Adobe for, called the "JDI"s by the Photoshop team. "JDI" stands for "Just DIt," small changes and improvements asked for by the end-users. Here's a sample from the list Adobe provided DMN.
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Adobe Photoshop Lightroom 4 for the Videographer
I have never used the previous versions of Lightroom, since most of my time was taken up with Avid, After Effects and Final Cut Pro. When I needed to do something with stills, I used Photoshop. When I got the chance to try Lightroom 4, I jumped at the chance, but I was more interested in the video capabilities than I was in the photographic features and tools. Lightroom 4 will not be replacing Premiere or Photoshop, it's not designed for heavy photo or video editing. You can't cut your movie masterpiece with it. But if you're a DSLR shooter, I can see it becoming a very useful tool in your arsenal.
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